Churches of Ukraine ·

St Michael's Golden-Domed Cathedral: a church rebuilt from its foundations

The St Michael’s Cathedral we see today is younger than most of its visitors. But it stands on foundations laid in 1108 — and it is these stones that remember what it once was.

In brief

Address8 Trokhsviatytelska Street, Kyiv
Built1108–1113, Prince Sviatopolk Iziaslavych; destroyed in the 1930s; recreated 1997–2000
Typesix-pillar cross-in-square church; from the 18th century, seven-domed, in the Ukrainian Baroque style
Materialancient foundations — stone and plinthos; recreated walls and vaults — brick
Statusrecreated building; the monastery ensemble retains the refectory with the Church of St John the Theologian of 1713–1715
ChurchOrthodox Church of Ukraine (its seat since December 2018)

History

Prince Sviatopolk Iziaslavych, baptised Mykhail, founded the cathedral on 11 July 1108 next to the older St Demetrius Monastery. It was built after the pattern of the Dormition Cathedral of the Pechersk Monastery: six pillars, three naves, three apses. In 1113 the prince was buried in the church he had built. The dome was covered with gilding — hence “Golden-Domed”.

The cathedral survived the sack of 1240. In 1620 the monastery became the residence of the restored Orthodox metropolis. In the 18th century the church was enlarged with side chapels and rebuilt in the Baroque style; in 1746–1754 it became seven-domed. At the same time the refectory with the Church of St John the Theologian (1713–1715) and the bell tower (1716–1719; according to other data, by 1720) appeared nearby.

In 1934 the removal of the mosaics and frescoes began, and in spring 1935 the gilding was stripped from the domes. The destruction came in stages: in 1934–1936 the bell tower and other buildings were taken down, in spring 1935 the domes were removed and the iconostasis destroyed, and on 14 August 1937 the walls of the cathedral were blown up. That is why different sources give different years. By a decree of 9 December 1995 the rebuilding was declared a state priority. The cathedral was opened on 30 May 1999, the interior work was completed in 2000, and on 28 May 2000 it was consecrated.

Panorama of the upper city of Kyiv with St Michael's Monastery, a colour photochrom of the late 19th century
St Michael's Monastery in a panorama of Kyiv, 1890–1900. Photochrom by Detroit Publishing Co., Library of Congress. Wikimedia Commons, public domain

Timeline

The numbers in square brackets are source numbers from the list at the bottom of the page. The mark "according to …" means that a fact is confirmed by only one source. The "Legends" section holds traditions and legends: they are recorded in the sources but not confirmed by documents.

The princely era

  1. 1050s

    Prince Iziaslav Yaroslavych founded the Monastery of St Demetrius of Thessalonica in the upper city of Kyiv. St Michael's Cathedral was later built on its grounds. [1, 2, 4]

  2. 1108

    On 11 July Prince Sviatopolk Iziaslavych (baptised Mykhail) laid the foundation of the stone cathedral of the Archangel Michael. [3, 12, 14, 17]

    Prince Sviatopolk lays the first stone of the cathedral above the Dnipro while masons stack plinthos
    1108: the foundation of the cathedral. Illustration: IKONASTONE
  3. 1108

    According to tradition, Sviatopolk's wife, the Byzantine princess Barbara, brought the relics of the Great Martyr Barbara to Kyiv. They became the monastery's chief shrine. [1, 4, 12, 16, 30]

    A Byzantine princess and her retinue carry a reliquary through the wooden gate of Kyiv
    The princess Barbara brings the relics — as tradition tells it. Illustration: IKONASTONE
  4. 1113

    Sviatopolk was buried in the cathedral he had built. O. Shapiro, going by the chronicle reckoning, gives April 1114. [1, 5]

  5. Around 1128

    The monastery probably came under the administration of the Kyiv Pechersk Monastery. [1, 2]

  6. 1240

    During the Mongol invasion the monastery was plundered and ruined; the stone cathedral held out. [1, 2, 12, 17]

Golden-Domed: from revival to the Baroque

  1. Before 1496

    The monastery was revived; soon the name "Golden-Domed" became attached to it. [1, 2]

  2. 1594

    The envoy Erich Lassota described the cathedral and the relics of St Barbara in his diary. This is the earliest known description of the church's furnishings. [1, 5]

  3. 1620

    Hegumen Yov Boretskyi was consecrated Metropolitan of Kyiv; the monastery became the residence of the restored Orthodox metropolis. [1, 2, 4, 17, 27]

    A metropolitan in a mitre before the cathedral doors, with Cossacks and banners on either side
    1620: Yov Boretskyi, Metropolitan of Kyiv. Illustration: IKONASTONE
  4. 1631

    Metropolitan Yov Boretskyi died; he was buried in the monastery, as was Metropolitan Isaia Kopynskyi (†1640) later. According to the Encyclopedia of Ukraine. [2, 27, 28]

  5. Late 17th – early 18th century

    Hetman Ivan Mazepa donated a silver reliquary for the relics of St Barbara (according to [1], in 1701). [1, 3, 5, 16]

    The reliquary with the relics of St Barbara under a carved canopy in St Michael's Cathedral
    The reliquary of St Barbara in the cathedral, 1872. Wikimedia Commons, public domain
  6. 1716–1720

    A three-tier masonry bell tower was built (in various sources 1716–1719 or 1719). [1, 3, 5, 12, 14]

  7. 1746–1754

    The cathedral was rebuilt in the Baroque style; it became seven-domed. [1, 2, 5]

  8. 1851

    The Swede Carl Peter Mazer made drawings of the interior; a century and a half later the Chapel of St Barbara was recreated from them. [1, 5]

  9. 1880s

    The archaeologist Adrian Prakhov uncovered the 12th-century mosaics and frescoes beneath later oil painting. [1, 17]

    St Michael's Golden-Domed Monastery: the bell tower and the seven-domed cathedral behind a fence
    The monastery in 1888. Published by S. Kulzhenko. Wikimedia Commons, public domain
    The Baroque bell tower and the gilded domes of the cathedral, a colour photochrom
    The bell tower and the cathedral, 1890–1900. Photochrom by Detroit Publishing Co., Library of Congress. Wikimedia Commons, public domain

Destruction

  1. 1919–1922

    The Soviet authorities confiscated valuables and occupied the monastery's premises (1919), and in 1922 closed the monastery. [1, 12]

    St Michael's Square in winter, with the bell tower and the cathedral in the background
    St Michael's Square, 1918. Wikimedia Commons, public domain
    The Baroque Economic Gate of the monastery with a stucco pediment
    The Economic Gate of the monastery, 1923. Photo from the book by H. Lukomskyi. Wikimedia Commons, public domain
  2. 1934

    After the decision to move the capital of the Ukrainian SSR from Kharkiv to Kyiv (January), the monastery's site was chosen for a government centre and a design competition was announced. [1, 11, 17]

  3. 1934

    A resolution of the Politburo of the Central Committee of the CP(b)U of 11 April 1934 ordered the mosaics to be removed; the commission included V. Balytskyi, M. Popov and V. Zatonskyi. Some publications date the decision to demolish to February 1934; the sources do not cite a primary document on the demolition. [3, 6, 10, 17]

  4. 1934

    An expert review with the participation of F. Movchanivskyi and V. Honcharov pronounced the cathedral a monument mainly of the 17th–18th centuries, "without historical value". The art historians F. Ernst, M. Makarenko and S. Taranushenko were arrested. [1, 3]

  5. 1934

    From 26 June a team led by Professor Volodymyr Frolov of the Leningrad Academy of Arts removed the mosaics and part of the frescoes. [1, 3, 6]

    Restorers on scaffolding in the apse cut out and pack the mosaic of a saint
    1934: the removal of the mosaics. Illustration: IKONASTONE
  6. 1934–1936

    The bell tower, the monastery's other buildings and the 12th-century Church of St Basil (the Church of the Three Hierarchs) were taken down. [3, 10, 12]

  7. 1935

    In spring the gilded copper was stripped from the domes and the Baroque iconostasis was destroyed. [1, 3]

  8. 1937

    On 14 August the walls of the cathedral were blown up. [1, 4, 10, 11, 17]

  9. 1938

    The mosaic "Demetrius of Thessalonica", frescoes and a slate slab were sent to Moscow for an exhibition marking the 750th anniversary of "The Tale of Igor's Campaign"; they were never returned. [6, 8, 11, 17]

  10. 1943–1947

    The occupiers took frescoes and mosaics from the cathedral out of Kyiv. In 1947 only part was returned to Kyiv; the rest was handed to museums of the RSFSR. [6, 8, 14]

Recreation

  1. 1970s

    The plan to build a Lenin museum on the cathedral's site was abandoned after appeals from scholars and artists; the refectory was restored in 1976–1981. [1, 17]

  2. 1992–1995

    Excavations by the Institute of Archaeology of the National Academy of Sciences of Ukraine (V. Kharlamov, H. Ivakin) uncovered more than 300 burials. [1, 7]

  3. 1995

    On 9 December a presidential decree recognised the rebuilding of the monastery as a nationwide priority. [3, 4, 12]

  4. 1997

    On 24 May the site was consecrated and a capsule was laid; the recreation of the cathedral began. [1, 2, 7]

    Clergy and builders in hard hats lay a capsule on the site of the old foundations
    24 May 1997: the consecration of the site and the capsule. Illustration: IKONASTONE
  5. 1998

    On 30 May the bells of the recreated bell tower rang for the first time. [1, 20, 21]

  6. 1999

    On 30 May the recreated cathedral was opened. The same year the Church of the Three Hierarchs was consecrated in the bell tower. [1, 2, 7]

  7. 2000

    On 28 May, Kyiv Day, the cathedral was consecrated. Some sources place the consecration in 1999. [1, 7, 22]

  8. 2001, 2004

    The Hermitage gave Ukraine 4 and later 7 more fragments of 12th-century frescoes — 11 in all. [8, 10, 13, 14]

Modern times

  1. 2013

    On the night of 30 November, after the students were dispersed on the Maidan, the monastery gave shelter to protesters. [4, 10]

  2. 2013

    On the night of 11 December, during the attempt to clear the Maidan, the monastery's bells rang the alarm for several hours; the ringer was Ivan Sydor. [4, 11, 25]

    A night bell tower; a young man in a winter coat strikes the bells, the lights of the square below
    The night of 11 December 2013. Illustration: IKONASTONE
  3. 2014

    In January–February the monastery treated the wounded. On 26 January a memorial service for Mykhailo Zhyznevskyi was held in the cathedral. [1, 4, 26]

  4. 2015

    On the monastery wall, work began on the Wall of Remembrance of those who died for Ukraine. [19]

  5. 2018

    On 15 December the monastery became the seat of the Orthodox Church of Ukraine. [1]

  6. 2022

    Since May the National Military History Museum has displayed destroyed Russian military equipment on St Michael's Square. [18]

  7. 2025

    The monastery's bell-ringing tradition was added to the National List of Intangible Cultural Heritage. [1, 20, 21]

Lost and recreated

WhatWhat it wasWhat happenedWhere it is now
Mosaic “The Eucharist”Apse of the cathedral, 12th centuryRemoved in 1934 by Frolov’s teamSaint Sophia Cathedral, Kyiv; in the recreated cathedral, a modern copy [6, 9, 12, 15]
Mosaic “Demetrius of Thessalonica”Pillar of the cathedral, 12th centurySent to Moscow in 1938 for an exhibition, not returnedTretyakov Gallery, Moscow [8, 11, 17]
Mosaics “Archdeacon Stephen”, “Apostle Thaddaeus”12th centuryRemoved in 1934; shown at the Metropolitan Museum in 1997 (according to Ukrinform)Kyiv [4, 6, 9]
12th-century frescoesWalls of the cathedralPartly taken out by the occupiers in 1943, later handed to Russian museums11 fragments returned in 2001–2004; the rest are in museums in Russia [6, 8, 14]
Works from the cathedral outside Ukraine—Negotiations on their return stalled after 2004At least 26 12th-century originals in museums in Moscow, St Petersburg and Novgorod [8, 14]
Slate reliefsTwo 11th-century slabs depicting holy horsemenExhibited in 1937; one was sent to Moscow in 1938One is in the Tretyakov Gallery; the sources do not specify where the other is [8, 10, 29]
Baroque iconostasisGift of Hetman I. SkoropadskyiDestroyed in spring 1935Lost; the cathedral has a new iconostasis [2, 3]
Silver reliquary of St BarbaraGift of Hetman I. MazepaAccording to [3], melted down in 1935; according to [5], moved to St Andrew’s Church, later to St Volodymyr’s CathedralThe fate of the original is described differently in the sources
Relics of St BarbaraSt Michael’s Cathedral, since the 12th centuryAfter the monastery was demolished — St Andrew’s Church (per the Great Ukrainian Encyclopedia, from 1935); in January 1961 moved to St Volodymyr’s CathedralSt Volodymyr’s Cathedral, Kyiv [1, 4, 16, 31]
Gilded domesGilded copperStripped in spring 1935Recreated [1, 3]
Bell tower1716–1720, three tiersTaken down in 1934–1936Recreated in 1997–1998; height over 48 m [12, 20, 23]
Cathedral12th century, rebuilt 1746–1754Blown up on 14.08.1937Recreated in 1997–1999 from photographs of 1934 and the surveys of I. Morhylevskyi [1, 4, 11]
Church of St Basil (the Church of the Three Hierarchs)12th century, next to the monasteryTaken down in 1934–1935Not recreated [3, 10]

Architecture

What was recreated is not the original 12th-century church but its 18th-century Baroque image — with blue walls, white decoration and seven gilded domes. The new cathedral was set on the site of the old one, and part of the old masonry became part of its crypt.

The drawings show the form, not exact dimensions.

The domes

The blue walls and gilded domes of St Michael's Golden-Domed Cathedral
The domes of the cathedral. Photo: Norbert Aepli, Wikimedia Commons, CC BY 3.0
Drawing of the domes of the cathedral
Drawing: IKONASTONE

The seven domes are the result of the rebuilding: according to researchers, the central crown was divided into several, and the church acquired the silhouette characteristic of Ukrainian Baroque.

The mosaics: a divided heritage

Drawing: outline diagram of the apse with the mosaic
Drawing: IKONASTONE

The ancient 12th-century mosaics outlived the cathedral but were scattered among different cities. The “Eucharist” was moved to the choir galleries of Saint Sophia Cathedral in Kyiv. “Demetrius of Thessalonica” was taken to Moscow in 1938 “for temporary safekeeping”; as of 2015 it remained in the Tretyakov Gallery. Some of the frescoes were taken away by the Nazis; of these, Ukraine has got back only eleven, and the rest are in Russia. Details are in the table “Lost and recreated”.

The iconostasis

In 1718 Hetman Ivan Skoropadskyi gave the cathedral a five-tier wooden gilded iconostasis. It was destroyed together with the church. How the tiers of such an iconostasis are put together is explained in the article “Tiers of the iconostasis”.

Stone and material

The ancient cathedral was built in the mixed-masonry technique: stone and plinthos on a lime mortar with crushed brick (tsemianka). Most of this masonry survived where explosives and pickaxes did not reach — in the ground. The foundations of the cathedral and the bell tower, part of the wall and old steps survived the demolition; they can be seen today, and they have become part of the crypt of the recreated church.

The new cathedral is laid of brick, and the foundations for the load of the modern building were made of concrete. So two times meet in one building: below, 12th-century stone; above it, walls of the late 20th century.

Here stone also speaks of the present. On the outer wall of the monastery facing St Michael’s Square is the Wall of Remembrance of those who died for Ukraine. How we work with such signs is shown in the section memorial plaques.

A colour postcard: the bell tower and the cathedral of St Michael's Monastery
Postcard no. 84, around 1910. Wikimedia Commons, public domain

Did you know

11, not 18

Eleven fragments of frescoes were returned from the Hermitage (4 in 2001 and 7 in 2004). The figure of "18 works" found in reference books is not confirmed by the negotiation documents. [8, 13, 14]

1880s

Until Prakhov's excavations, the 12th-century mosaics were hidden beneath later oil painting. [1, 17]

1934

The art historian Mykola Makarenko was the only member of the commission who refused to sign the act of demolition of the cathedral; he was later repressed. [4, 10, 17]

Surveys

The recreation became possible thanks to the surveys by Ipolit Morhylevskyi and the photographs of 1934. [4, 7, 11]

Government centre

The government centre for the sake of which the cathedral was demolished was never built. All that is left of the plan is the building that now houses the Ministry of Foreign Affairs. [3, 10, 12]

"Three months"

According to the historian D. Klochko, the mosaics were lent to Moscow in 1938 for an exhibition "for three months". [11]

Pilgrims

In the 19th century more than a hundred thousand pilgrims came to the relics of St Barbara every year. [1, 16]

Rings

Silver "rings of St Barbara" were blessed beside the relics; Hetman Mazepa is mentioned among their owners. [16, 24]

Mazer

The Chapel of St Barbara was recreated from the drawings of the Swede Carl Peter Mazer, made in the first half of the 19th century. [1, 5]

300 burials

The excavations of 1992–1995 uncovered more than 300 burials. [1, 7]

Half a year

The recreated bell tower, taller than 48 m, was built in about six months. [20, 23]

Singing school

The composers Kyrylo Stetsenko and Yakiv Yatsynevych studied or taught at the monastery's singing school. [1, 2]

Legends

Legend

The golden dome

According to tradition, the dome of St Michael's Cathedral was the first to be gilded in Rus', and the only one in Kyiv; hence the name "Golden-Domed". Recorded in the English-language Wikipedia (as probable) and in Gazeta.ua. [1, 12]

Legend

The princess Barbara

According to tradition, the relics of the Great Martyr Barbara were brought from Constantinople by the Byzantine princess Barbara when she came to marry Prince Sviatopolk. Recorded by Radio Svoboda ("according to an Orthodox legend") and other outlets. [16, 30]

Legend

The relics under the steps

According to a tradition recorded by St Demetrius of Rostov (Tuptalo), in 1240 the relics of St Barbara were hidden from Batu's warriors under the steps of a stone pillar and later displayed in the church again. Retold after O. Shapiro. [5]

Two monks by candlelight hide a reliquary beneath stone steps; through the window, smoke over the city
The legend of 1240. Illustration: IKONASTONE
Legend

Seventeen miracles

According to tradition, Hegumen Feodosii Sofonovych recorded seventeen miracles at the relics of St Barbara. Retold after O. Shapiro. [5]

Legend

The well

According to tradition, pilgrims considered the water of St Barbara's well on the monastery grounds to be healing. Retold after O. Shapiro. [5]

Legend

The bright bird

According to the Nikon Chronicle, in 1109 a bright bird sat above the church for six days; witnesses took it for an angel, who later appeared to Sviatopolk before his victory over the Cumans at the Saltnytsia. Retold after O. Shapiro. [5]

Legend

The plague

According to tradition, Governor-General D. Golitsyn, saved during the plague of 1710–1711, rebuilt the Chapel of St Barbara and set a carved canopy over the reliquary. Retold after O. Shapiro. [5]

Legend

The alarm of 2013

According to tradition, in December 2013 the bells of St Michael's rang the alarm for the first time since Batu's invasion of 1240. So write Ukrinform and Espreso; this has not been verified by documents. [4, 10]

Figures

  • Iziaslav Yaroslavych — founder of the Monastery of St Demetrius (1050s).
  • Sviatopolk Iziaslavych (Mykhail) — founder of the cathedral in 1108, buried in it.
  • Barbara — Sviatopolk’s wife, daughter of the Byzantine emperor Alexios I Komnenos; according to tradition, she brought the relics of St Barbara.
  • Yov Boretskyi — hegumen, from 1620 Metropolitan of Kyiv.
  • Ivan Mazepa, Ivan Skoropadskyi — hetmans and benefactors (the reliquary of St Barbara, the iconostasis).
  • Carl Peter Mazer — Swedish artist, author of 19th-century drawings of the interior.
  • Adrian Prakhov — scholar who uncovered the 12th-century mosaics and frescoes.
  • Volodymyr Frolov — leader of the team that removed the mosaics in 1934.
  • Mykola Makarenko — art historian who refused to sign the act of demolition.
  • Ipolit Morhylevskyi — author of the surveys of the cathedral in the 1930s.
  • Yurii Losytskyi — chief architect of the recreation.
  • Viktor Kharlamov, Hlib Ivakin — leaders of the 1992–1995 excavations.
  • Oles Honchar — initiator of the public fund for the rebuilding.
  • Patriarch Filaret — consecrated the recreated cathedral.
  • Ivan Sydor — rang the alarm on the night of 11 December 2013.
  • Mykhailo Zhyznevskyi — participant in the Revolution of Dignity; a memorial service for him was held in the cathedral on 26.01.2014.

How to cite

IKONASTONE. St Michael's Golden-Domed Cathedral // Guide to the Churches of Ukraine. URL: https://ikonastone.com/en/guide/st-michaels-golden-domed-cathedral-kyiv/ (accessed DD.MM.YYYY).

FAQ

Where is St Michael's Golden-Domed Cathedral located?

In the centre of Kyiv, at 8 Trokhsviatytelska Street, above St Michael's Square. The cathedral is the main church of St Michael's Golden-Domed Monastery.

When was the cathedral built?

It was founded on 11 July 1108 by Prince Sviatopolk Iziaslavych; construction is usually dated to 1108–1113. In the 1930s the cathedral was destroyed; it was recreated in 1997–2000: it was opened on 30 May 1999 and consecrated on 28 May 2000.

Why is the cathedral called "Golden-Domed"?

Its dome was gilded — according to researchers, probably the first in Rus'. Hence the name, which outlived the original church itself.

Who does the monastery belong to now?

St Michael's Golden-Domed Monastery belongs to the Orthodox Church of Ukraine; since December 2018 it has been the seat of that church.

Sources

  1. Wikipedia (en). St. Michael's Golden-Domed Monastery
  2. Encyclopedia of Ukraine (CIUS). Saint Michael's Golden-Domed Monastery
  3. Освіта.ua. Михайлівський Золотоверхий монастир в Києві та його відбудова
  4. Укрінформ. М. Сорока. Українська твердиня віри і незламності (14.12.2025)
  5. О. Шапіро. «Світогляд», 2021, № 1 (87)
  6. О. Шапіро. «Світогляд», 2021, № 2 (88)
  7. О. Шапіро. «Світогляд», 2021, № 4 (90)
  8. С. Кот. Архівні документи як фактор ідентифікації і повернення втрачених культурних цінностей (на прикладі мозаїк і фресок Михайлівського Золотоверхого собору). «Архіви України», 2018
  9. Ю. Коренюк. Мозаїки Михайлівського Золотоверхого собору. Каталог. К., 2013
  10. Еспресо. Т. Яворська. Батий, більшовики і «беркутівці»… (08.11.2025)
  11. Українська правда. Життя. «Культурний обмін»: як росіяни підірвали Михайлівський собор… (27.11.2022)
  12. Gazeta.ua. Михайлівський монастир руйнував Батий і більшовики (02.12.2013)
  13. Gazeta.ua. Фрески з найбільшого київського собору вивезли в Ермітаж (17.10.2018)
  14. Радіо Свобода. 11 фресок повернулися до Михайлівського собору (16.07.2008)
  15. Радіо Свобода. Презентація відреставрованих мозаїк (10.07.2013)
  16. Радіо Свобода. Про мощі св. Варвари (17.12.2008)
  17. RISU. St. Michael's Golden-Domed Church in Kyiv marks 900 years (02.07.2008)
  18. Українська правда. Життя. Техніка на Михайлівській площі (22.05.2022)
  19. Кабінет Міністрів України. Про Стіну пам'яті (27.02.2015)
  20. Sud.ua. Звонарство Михайлівського монастиря визнали культурною спадщиною (2025)
  21. Liga Life. St. Michael's bell ringing is officially recognized as an intangible heritage of Ukraine (15.05.2025)
  22. Главком. Митрополит Епіфаній. Михайлівський Золотоверхий собор став точкою відліку нової історії України (26.05.2024)
  23. RFE/RL. Матеріал про відбудову монастиря та дзвіниці
  24. Дзеркало тижня. Скандал вокруг торговли кольцами святой Варвары
  25. Дзеркало тижня. Один в поле воин — один в небе Бог
  26. Ahram Online. Thousands mourn slain Kiev protester (26.01.2014)
  27. Encyclopedia of Ukraine. Boretsky, Yov
  28. Encyclopedia of Ukraine. Kopynsky, Isaia
  29. Encyclopedia of Ukraine. Sculpture
  30. Current Time. Про мощі св. Варвари
  31. Wikipedia (en). St Volodymyr's Cathedral
St Michael's Golden-Domed Cathedral: on the left, a photo of the cathedral with blue walls and gilded domes; on the right, an IKONASTONE drawing
Town
Kyiv
Built
1108–1113; rebuilt 1997–2000
Type
six-pillar cross-in-square church, Baroque, with seven domes
Material
stone and plinthos (ancient foundations), brick
Research depth
39%
Photo: edykbo, Wikimedia Commons, CC BY 3.0 · drawing: IKONASTONE
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